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Legendary Connecticut power-thrashers Sacred Oath first formed in 1985 when founding members Rob Thorne
and Pete Altieri were daydreaming about rock-stardom as they washed dishes in a local burger joint. The singer/guitarist and
bassist were both students at Bethel High School and had ambitions of recording landmark albums and touring the world with
their unique brand of dark power and thrash metal heavily influenced by then-contemporary heroes Metallica and Mercyful
Fate. They quickly set about recording their first demo “Sacred Oath” and it was an instant local success, selling hundreds of
cassette copies in Connecticut record stores. As Thorne spent evenings running copies off a dubbing deck and folding
photocopies into crude cassette covers, Altieri launched the band’s monthly newsletter “Thrash Inc.,” which featured columns
about the current local and national metal scene as well as artwork drawn by the band’s drummer Kenny “Thundarr” Evans.
The artwork became a huge part of Sacred Oath’s identity as hundreds of “Oathbanger” fan club members would receive a
newsletter in their mailbox at the beginning of each month, each featuring a new art piece on the cover and throughout.
Sacred Oath was quickly gaining momentum, and the band added a second guitarist Wayne Christiano in 1986. A second demo
“Shadow Out Of Time” was produced by Fates Warning live-sound guru Dave “Emma” Obrizzo at Trod Nossel Studio in
Wallingford, Connecticut and within a few months the band signed a recording deal with Mercenary Records. During this time,
the newsletter moniker was changed to “The Invocation” and Wayne was replaced with guitarist Glen Cruciani. Though Rob
and Glen were still high school students, Mercenary quickly booked the band into Presence Studios in East Haven, with Obrizzo
producing again. The result was “A Crystal Vision” released in January 1988. The landmark debut album went on to become a
cult-classic gem of the American power metal movement alongside their heroes and peers Fates Warning, Obsession, and Liege
Lord, despite Mercenary Records closing its doors just months after releasing it. The band struggled through a tour of the
Midwest without label support and after returning to Connecticut frustrated by the challenges of the road disbanded in
December 1988.
The hiatus lasted 10 full years, when out of the blue in 1998 the small independent label Sentinel Steel Records approachedThorne about reissuing “A Crystal Vision.” Though working in another band at the time, Rob reassembled Sacred Oath (minus
Cruciani) and set about recording bonus tracks for the reissue. It was a success in both America and Europe, and the band
followed up with a second album “A Crystal Revision” in 2005. Soon after, a third album “Darkness Visible” was released by
Sentinel Steel and the success of that album saw the band doing their first tour of Europe, kicking it off with a headlining slot
at the renowned Keep It True Festival in Germany. That first show was recorded and subsequently released as the live album
“Till Death Do Us Part – Live in Germany.” iTunes featured the live album as a “Top Ten Live Metal Album” the year of release
in 2008 and Sacred Oath was on fire.
As bands do, Sacred Oath went right back into the studio to record new music while interest was high. By now, Altieri and
Cruciani were no longer a part of the roster and had been replaced by bassist Scott Waite and guitarist Bill Smith. Thorne had
assumed producing duties and was recording everything in his own studio. The band put forth their highest-profile offering yet
– the eponymous “Sacred Oath” (2009) – and was interviewed on MTV Headbanger’s Ball with the premiere of their video single
“Counting Zeros” (iTunes Discovery Download of the Week April 9, 2009). By this time Sacred Oath was drawing hundreds of
fans to shows and getting airplay on metal radio and video programming with “Counting Zeros.”
A couple of bad actors got involved in the band’s business affairs, and though Sacred Oath followed up in 2010 with what many
considered to be their strongest album to date, “World On Fire” fell mostly on deaf ears. Drummer Kenny Evans sustained an
injury to his back during the tour and the band had to finish with a temporary replacement in drummer-for-hire Ignacio
Orellana. Burned-out and frustrated by circumstances, Thorne needed a break. Without Evans at the drums, the joy of Sacred
Oath was missing for him, and so a ‘best-of’ compilation “Spells and Incantations” was issued on CD and double LP to fill the
gap while the band caught their breath.
With the 25th anniversary of the release of their debut “A Crystal Vision” approaching in 2013, Thorne reunited with original
members Altieri, Cruciani, and a now-healthy Evans for the studio album “Fallen.” Originally intended as an EP, it quickly
evolved into a full-length album under the shadow of the Sandy Hook shootings, which happened just a few short miles from
Thorne’s home. It would be their darkest album yet. The album was well-received by fans and a distribution deal was put in
place with Caroline/Universal Music Group for Thorne’s label Angel Thorne Music. An agreement was made for 3 more studio
albums from Sacred Oath, which would include “Ravensong” (2015), “Twelve Bells” (2017), the live album “Thunder
Underground -Live From NYC” (2019), and now “Return Of The Dragon” (2021).
Like so many others, the story of Sacred Oath is one filled with triumph and tragedy, but not many artists have been as prolific
while remaining independent for so long. Sacred Oath has self-managed and self-produced for almost 25 years without a
traditional record contract or label support and yet has managed to survive the ups, downs, and numerous obstacles of the
industry in the internet-age. And they’ve done it all through their commitment to producing quality metal music, always. Now,
they’re putting out their best album yet. “Return Of The Dragon” is all the very best aspects of Sacred Oath metal in 10 new
songs, each filled with powerful emotion and musicianship in a thunderous aural assault. The band did a “waterfall release” for
this album and began issuing singles every two weeks on January 15th